- 2011
Forms
Summary
“Visiting Artist Max Hattler conducted a workshop during the Program in Experimental Animation interim sessions in 2011. Max collaborated with the students in exploring a variety of approaches to working with mocap. The goal was to produce one or more short works using abstracted motion capture.”
Michael Scroggins, CalArts)
Screenings
- CILECT Conference, Buenos Aires, Argentina, 17-19 Sep 2013 (presentation by Michael Scroggins)
- University of the Arts Bremen, Germany, 2 Dec 2011 (lecture)
- Transform: Max Hattler + Noriko Okaku, Asifakeil, quartier21, Vienna, 6 May – 2 June 2011 (2-person exhibition)
- Pictoplasma Festival, Berlin, Germany, 6-9 April 2011 (exhibition / installation screening)
Credits
FORMS I (TAEKWONDO)
| Director | Max Hattler |
| Technical Directors | Scott Peters, Elijah Kleeman |
| Animators | Adeline Newmann, Elijah Kleeman, Emily Dean, Jason Davis |
| Motion Capture | Michael Scroggins |
| Actress | Emily Dean |
| Produced by | CalArts & Max Hattler |
| Available formats | HD digital file, DVD |
| Length | loop |
| Year | 2011 |
FORMS II (KARATE)
| Director | Max Hattler |
| Technical Directors | Scott Peters |
| Animators | Adeline Newmann, Elijah Kleeman, Emily Dean, Jason Davis |
| Technical Support | Michael Scroggins |
| Actress | Emily Dean |
| Produced by | CalArts & Max Hattler |
| Available formats | HD digital file, DVD |
| Length | loop |
| Year | 2011 |
Best watched with Pulfrich 3D glasses, or by placing sunglasses over one eye only.
Other Projects
- 2025
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound. What you hear is what you see.
- 2019
A symmetrical matrix of generative synthetic growth iterations of varying frequencies and intensities.
- 2017
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, and spawn arrays of divisional articulations in time and space.