- 2021
Vœrtex
Awards
- Art Machines: Past/Present, Indra and Harry Banga Gallery, Hong Kong, 24 Nov 2020 – 23 May 2021 (group exhibition co-curated by Prof. Richard Allen and Prof. Jeffrey Shaw)
Writing
- MAX HATTLER, TERRIE MAN-CHI CHEUNG (2022) ‘Into the Vœrtex: Case Study of a Stereoscopic Abstract Animation Installation‘ In Animation Practice, Process & Production, Vol. 10, No. 1, pp. 51-71, Bristol: Intellect
Credits
| Director & Producer | Max Hattler |
| 3D Compositing | Zhang Riwen, Liu Da |
| Sound | Sky Kung, Max Hattler |
| Coding | Sune Petersen |
| Format | Semi-CAVE 2-screen setup with Unity playback, head-tracking and active shutter 3D glasses |
| Length | 4-minute loop |
| Year | 2021 |
Vœrtex is part of Max Hattler’s artistic research into expanded stereoscopy; techniques and processes which employ binocular vision in unconventional ways to create spaces where depth relations are disjointed and paradoxical, where binocular rivalry is used to create unique visual effects, or where new dimensionality and visual intensity are excavated from flat source material. This work was supported by a GRF grant from the Research Grants Council of Hong Kong (GRF “Expanded Stereoscopy”, Project No. 11602919)
Still Images
Other Projects
- 2007
We went down, we went down – how far who knows.
Foot loose meets head loose, one frame at a time.
An animation installation that explores binocular rivalry and random dot stereograms in an attempt to create impossible spaces which break and subvert stereoscopic perception.
- 2017
A visualisation of Gustav Mahler's Symphony No. 5, created with student animators at School of Creative Media, City University of Hong Kong.