This is the film festival version of a commission for British dance duo Basement Jaxx. During their concerts, the film was shown on a 7 x 2 meter LED screen behind the band. The concept of the film is based on the grid structure of the screen itself. The LED screen is made up of 60 square panels, four rows of 15. Each of the blocks that make up the screen becomes a tile in the overall picture, a pixel in the construction of the visual narrative.
| Director, Producer | Max Hattler |
| Animation | Max Hattler, Milad Firoozian (3D), Noriko Okaku, Rodrigo Vives, Papaya Gonzales |
| Music | Basement Jaxx |
| Commissioned by | Basement Jaxx / Punk Garage Ltd. |
| Available formats | HD, Beta SP, DVD |
| Orig. size | 7×2 m LED screen / 1080×288 px / 15:4 |
| Length | 5’55” |
| Year | 2009 |
Basement Jaxx “Where’s Your Head At” concert visuals by Max Hattler, premiered on Basement Jaxx 2009 UK tour. Youtube-footage split-screen live documentation.
… an arena abstraction for Basement Jaxx … Old school video games and ’80s video walls inspired Max Hattler’s visuals for Where’s Your Head At … Rather than treat the display as one fluid screen, he took advantage of the grid’s ’80s video wall look and designed flat, two-dimensional visuals that resemble old school video games such as Tetris.
‘boards
phenomenal … an electric arcade of crazy kinetics.
Animation Show
awesome visuals
Creamfields.com
distinctive
Televisual
Hattler keeps things ambient and kinetic, a wise choice.
Video Static
Ein Raster aus gleich großen Quadern, die passend zu den Beats beleuchtet oder animiert werden. Durch die zumeist zweidimensionale Optik entsteht ein typischer 80er-Jahre-Look, der von Analogien zu frühen Computerspielen noch unterstrichen wird.
Vienna Independent Shorts
Für die aktuelle Tour des britischen Danceprojekts Basement Jaxx hat VJ-Künstler Max Hattler unübersehbar alte Videospiele als Referenz für seine LED-Visuals hergenommen.
PAGE
ein wahrhaftig visueller Augenschmaus … darf nicht ungesehen bleiben.
Electru
madness … we love it, it looks great!
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound. What you hear is what you see.
Islamic patterns and American quilts and the colours and geometry of flags as an abstract field of reflection.
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