X

The unknown X becomes a whole symphony of shapes... In a universe where everything is by itself yet can intersect with each other, cross-action seems the best way to solve an unknown equation.

Commission

Max Hattler Canal Commission, KXFS, Goods Way, London, 6-16 Sep 2012

Awards

Credits

Directed by Max Hattler
Sound & MusicEduardo Noya Schreus
AnimationMatt Abbiss, Tony Comley, Valeria Fonseca, Max Hattler, Siobhan Mcelhinney, Luiz Stockler
Special Thanks to Sandra Sykorova
Versions (1080p HD digital files)
  • Film festival version, 6 minutes
  • Water screen installation version, 6 minutes
Year2012

Still Images

PressKit

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Screenings & Exhibitions

2016-2024

2015

X - Max Hattler - Installation - Visuals - Projection
Still image from "X".

2014

2013

2012

What others have said​

X is an animated water projection by media artist Max Hattler, who often exhibits in non-traditional spaces. X is a contemporary media representation, in the true sense of the word. It is equally vague and intangible as the title X. For one thing, it is timeless: the beginning and the end are merely a technical necessity. For another, X is placeless: a work that is not additionally projected onto a solid wall, for instance, but onto a wall of water – or to be more precise: onto a hydroshield, such as used by the fire brigade. X amalgamates kinetic outline shapes glowing luminous green, purple, white and blue into a prototypical digital light show. It is one of Max Hattler’s most impressive works: the light show is geometric and refers to itself, and yet conveys an unrivalled liveliness of the shapes. X never appears abstract or strenuous, but in a strange way reassuring, even likeable. Whereas Max Hattler’s works are often forms of digital dystopia, X could be a digital version of the kinetic sculptures that emerged around media art pioneer Zdenek Pesanek in Prague around 1930.

Blau, grün, blau und rosé leuchten Dreiecke, Kreise, Recht- und Vielecke über dem Feuersee auf. Die geometrischen Formen erscheinen wie von Zauberhand in der Luft, sichtbar nur, weil die Feuerwehr eine Wand aus unendlich vielen Tröpfchen aufgebaut hat. Die Wasserprojektion des Videokünstlers und experimentellen Filmemachers Max Hattler, die WDV Molliné und die Galerie von Braunbehrens ermöglichte, war einer der Höhepunkte des Feuerseefests.

A futuristic, kinetic, energetic new commission from moving image artist Max Hattler … on a 10x15m screen of water rising from the canal alongside KXFS for performances each night.

The equation = X, an ethereal mist display emblazoned with geometric shapes and forms that dance a technicolored correspondence of light and new age dazzle.

X is a moving composition of geometrical images that have a hidden logic to how they interact and intercept each other.

…then it was over and I longed to see more. I wanted to live in that neon-and-artificial-yet-strangely-organic-and-alive world for a bit longer to see where things went. I couldn’t make sense of it at first but felt that if I kept watching some hidden, important meaning would eventually present itself.

(…) Open from last night is X (2012), a new film commission by media artist Max Hattler. This is a pop-up display in the most accurate sense. Jets of water shoot up from the banks of Regent’s Canal to form a 10×15 metre screen onto which X is projected. (…) Hattler is used to presenting in non-traditional spaces: he has made work for media including smartphones, tablets – once even for the video advertising hoardings on the westbound Central Line platform at Liverpool Street station. X is a digital light show, amalgamating kinetic outline shapes glowing luminous green, purple, white and blue. It is a demonstration of all that is strongest about Hattler’s work: the film is beautifully constructed and is a self-referential treat for the eyes. Where his most well known works explore some form of digitally-induced dystopia, X finds its most direct influence in Destination Docklands, Jean Michel-Jarre’s 1988 concert/spectacle/extravaganza, and its glittering celebration of industrial and technological revolution in the age of postmodernism.

a 3D geometric ‘psychedelic ballet’ over London’s Regent’s Canal … a dramatic new public art experience

Roll by the Kings Cross Filling Station in London this week, and you can take in a stunning laser light motion graphic sequence created by the experimental artist Max Hattler…

interesting and impressive technique

juego luminico-expansivo.

Max Hattler’s skills may not quite be at the stage where he can walk on water but they’re certainly great enough that he can animate on it.

A film is about to be shown on a wall of water, sounds crazy right? But surely that’s what London’s all about – just when you think you’ve seen it all something knocks that thought out the window. This latest art work comes from the artist Max Hattler and you can see it yourself this week rising out of Regent’s Canal.

We are not big on supporting brands, who let’s face it, only commision art works to up their cool status. But we’ll stick the perverbial pipe in our mouths and smoke it, because however much we want to hate this Vauxhall-supported commission by visual artist Max Hattler, we can’t, because it is quite simply mesmerising, as we found out when we stumbled on it, on a trip to Shrimpy’s on Friday. Hattler has projected a colourful animation of flying shapes onto a screen of water – a high-powered jet stream that spouts 10×15 metres into the air from Regent’s Canal, which he calls a ‘psychedelic geometric ballet’. It’s hypnotic as various shapes twist, turn and dance with each other, as they spit out lazers and probes, and morph into other shapes, Matrix-style. Spectacular and well worth a visit.

Watery light show is simply wild … Max Hattler’s mesmerizing light and sound art entitled X, wherein the moving image artist uses a fountain as the canvas for his fascinating display

It doesn’t see that long ago we were posting about Max Hattler and his latest visual triumph, but he’s already back with another stunning project. Max’s Canal Commission: ‘X’, part of the Vauxhall Ampera Season at KXFS in King’s Cross, launched last Thursday (6th September) and runs every evening until the 16th. If you can’t get to London to see it live Max has kindly posted a video of the piece on his Vimeo channel which can be viewed below. We’re a big fan of Max’s visual output and each piece seems to have surpassed the last. ‘X’ is no exception, albeit taking a unique departure from his other recent works. The kinetic futuristic geometric neon visuals are back-projected onto a 10x15m screen of water rising from the canal giving the animation a ghostly shimmer. So whilst ‘X’ is a continuation of Max’s abstract exploration into his other-worldly aesthetic, it’s a whole new experience. One we hope to experience again in subsequent works, and with Max’s prolific output we shouldn’t have to wait too long.

Projecting animations on a screen is nothing new—but what if that screen was made from water being blasted out of high-powered water jets? That’s not an everyday occurrence, is it? German animator and visual artist Max Hattler has used exactly this technique to present his latest animation, X. If you’re not familiar with Hattler’s work, his style is colorful, haunting, abstract, geometric—a spectacle for the eyes that can jar you from a daydreaming slumber or equally hypnotize you into one. (…) The piece is a perfectly synced dance of light and sound, featuring abstract geometry shifting about to sci-fi-esque music, which is given added depth and surreality by its presentation on the hydro screen. (…)