Max Hattler Canal Commission, KXFS, Goods Way, London, 6-16 Sep 2012
| Directed by Max Hattler | |
| Sound & Music | Eduardo Noya Schreus |
| Animation | Matt Abbiss, Tony Comley, Valeria Fonseca, Max Hattler, Siobhan Mcelhinney, Luiz Stockler |
| Special Thanks to Sandra Sykorova | |
| Versions (1080p HD digital files) |
|
| Year | 2012 |
Dowload a presskit here with an artist statement, screening information, awards and sample photos Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod tempor incidunt ut labore et dolore magna.
X is an animated water projection by media artist Max Hattler, who often exhibits in non-traditional spaces. X is a contemporary media representation, in the true sense of the word. It is equally vague and intangible as the title X. For one thing, it is timeless: the beginning and the end are merely a technical necessity. For another, X is placeless: a work that is not additionally projected onto a solid wall, for instance, but onto a wall of water – or to be more precise: onto a hydroshield, such as used by the fire brigade. X amalgamates kinetic outline shapes glowing luminous green, purple, white and blue into a prototypical digital light show. It is one of Max Hattler’s most impressive works: the light show is geometric and refers to itself, and yet conveys an unrivalled liveliness of the shapes. X never appears abstract or strenuous, but in a strange way reassuring, even likeable. Whereas Max Hattler’s works are often forms of digital dystopia, X could be a digital version of the kinetic sculptures that emerged around media art pioneer Zdenek Pesanek in Prague around 1930.
Lichtsicht 7, 2020
X water screen installation at Lichtsicht Triennale, 2022.
Blau, grün, blau und rosé leuchten Dreiecke, Kreise, Recht- und Vielecke über dem Feuersee auf. Die geometrischen Formen erscheinen wie von Zauberhand in der Luft, sichtbar nur, weil die Feuerwehr eine Wand aus unendlich vielen Tröpfchen aufgebaut hat. Die Wasserprojektion des Videokünstlers und experimentellen Filmemachers Max Hattler, die WDV Molliné und die Galerie von Braunbehrens ermöglichte, war einer der Höhepunkte des Feuerseefests.
Stuttgarter Zeitung, 2017
A futuristic, kinetic, energetic new commission from moving image artist Max Hattler … on a 10x15m screen of water rising from the canal alongside KXFS for performances each night.
Kings Cross Filling Station, 2012
The equation = X, an ethereal mist display emblazoned with geometric shapes and forms that dance a technicolored correspondence of light and new age dazzle.
X is a moving composition of geometrical images that have a hidden logic to how they interact and intercept each other.
…then it was over and I longed to see more. I wanted to live in that neon-and-artificial-yet-strangely-organic-and-alive world for a bit longer to see where things went. I couldn’t make sense of it at first but felt that if I kept watching some hidden, important meaning would eventually present itself.
The Tripatorium, 2013
(…) Open from last night is X (2012), a new film commission by media artist Max Hattler. This is a pop-up display in the most accurate sense. Jets of water shoot up from the banks of Regent’s Canal to form a 10×15 metre screen onto which X is projected. (…) Hattler is used to presenting in non-traditional spaces: he has made work for media including smartphones, tablets – once even for the video advertising hoardings on the westbound Central Line platform at Liverpool Street station. X is a digital light show, amalgamating kinetic outline shapes glowing luminous green, purple, white and blue. It is a demonstration of all that is strongest about Hattler’s work: the film is beautifully constructed and is a self-referential treat for the eyes. Where his most well known works explore some form of digitally-induced dystopia, X finds its most direct influence in Destination Docklands, Jean Michel-Jarre’s 1988 concert/spectacle/extravaganza, and its glittering celebration of industrial and technological revolution in the age of postmodernism.
Ajay RS Hothi, 2012
a 3D geometric ‘psychedelic ballet’ over London’s Regent’s Canal … a dramatic new public art experience
Huffington Post UK, 2012
Roll by the Kings Cross Filling Station in London this week, and you can take in a stunning laser light motion graphic sequence created by the experimental artist Max Hattler…
Computer Arts, 2012
interesting and impressive technique
The Curious Brain, 2012
juego luminico-expansivo.
Visionary Film, 2013
Max Hattler’s skills may not quite be at the stage where he can walk on water but they’re certainly great enough that he can animate on it.
Directors Notes, 2012
A film is about to be shown on a wall of water, sounds crazy right? But surely that’s what London’s all about – just when you think you’ve seen it all something knocks that thought out the window. This latest art work comes from the artist Max Hattler and you can see it yourself this week rising out of Regent’s Canal.
Who’s Jack, 2012
We are not big on supporting brands, who let’s face it, only commision art works to up their cool status. But we’ll stick the perverbial pipe in our mouths and smoke it, because however much we want to hate this Vauxhall-supported commission by visual artist Max Hattler, we can’t, because it is quite simply mesmerising, as we found out when we stumbled on it, on a trip to Shrimpy’s on Friday. Hattler has projected a colourful animation of flying shapes onto a screen of water – a high-powered jet stream that spouts 10×15 metres into the air from Regent’s Canal, which he calls a ‘psychedelic geometric ballet’. It’s hypnotic as various shapes twist, turn and dance with each other, as they spit out lazers and probes, and morph into other shapes, Matrix-style. Spectacular and well worth a visit.
Art Wednesday, 2012
Watery light show is simply wild … Max Hattler’s mesmerizing light and sound art entitled X, wherein the moving image artist uses a fountain as the canvas for his fascinating display
Holy Kaw!, 2012
Opening of X at KXFS, London, 2012.
It doesn’t see that long ago we were posting about Max Hattler and his latest visual triumph, but he’s already back with another stunning project. Max’s Canal Commission: ‘X’, part of the Vauxhall Ampera Season at KXFS in King’s Cross, launched last Thursday (6th September) and runs every evening until the 16th. If you can’t get to London to see it live Max has kindly posted a video of the piece on his Vimeo channel which can be viewed below. We’re a big fan of Max’s visual output and each piece seems to have surpassed the last. ‘X’ is no exception, albeit taking a unique departure from his other recent works. The kinetic futuristic geometric neon visuals are back-projected onto a 10x15m screen of water rising from the canal giving the animation a ghostly shimmer. So whilst ‘X’ is a continuation of Max’s abstract exploration into his other-worldly aesthetic, it’s a whole new experience. One we hope to experience again in subsequent works, and with Max’s prolific output we shouldn’t have to wait too long.
Animated Review, 2012
Projecting animations on a screen is nothing new—but what if that screen was made from water being blasted out of high-powered water jets? That’s not an everyday occurrence, is it? German animator and visual artist Max Hattler has used exactly this technique to present his latest animation, X. If you’re not familiar with Hattler’s work, his style is colorful, haunting, abstract, geometric—a spectacle for the eyes that can jar you from a daydreaming slumber or equally hypnotize you into one. (…) The piece is a perfectly synced dance of light and sound, featuring abstract geometry shifting about to sci-fi-esque music, which is given added depth and surreality by its presentation on the hydro screen. (…)
Concrete Abstraction: Road Triptych is a motion painting that takes Hong Kong’s urban topography as its canvas. Road markings explode and contract across three synchronised screens in a portrait of the otherwise overlooked paints and stains that adorn the city’s streets.
Islamic patterns and American quilts and the colours and geometry of flags as an abstract field of reflection.
© 2026 Max Hattler. All rights reserved.
Website by Bento Graphics Inc.