AANAATT

The ever-shifting shape of Analogue Futurism. 100% digital-effects free.

Awards

Credits

DirectorMax Hattler
ProducerMax Hattler
AnimationMax Hattler, Noriko Okaku, Philip Serfaty, Rodrigo Vives
MusicJemapur
AgencyW+K Tokyo Lab
Creative Director+cruz
Thanks toNick Roericht
Available formats1080p HD mov, Beta SP, DVD
Length4’45”
Year2008

Still Images

PressKit

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Screenings & Exhibitions

2020-2022

2018-2019

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2009

2008

  • Max Hattler: Future Abstraction, Someones Garden, Tokyo, 2-15 Nov

Selected Blogs, Press, TV, DVDs

What others have said​

A strange world where experience, both familiar and unfamiliar, is cut-up, upside-down and otherwise displaced, as modernist shapes move and construct themselves in almost organic ways.

Was wirklich schön wäre: Die Welt wäre ein wenig kühler, emotional betrachtet. Lieber ein bisschen mehr wie die Video-Komposition „Aanaatt“ von Max Hattler, die trotz aller Coolness eine große Liebe zur Schönheit der Alltagsdinge beweist.

AANAATT is a perpetual motion machine of shape, color, and perspective. In this mesmerizing stop-motion film by German video artist Max Hattler, space is collapsed and turned ambiguous, revealing the true nature of dimensionality for what it is: pure visual illusion. Inspired by early experimental animation filmmakers like Oskar Fischinger and Slavko Vorkapich, Hattler blurs the boundary between the avant-garde spirit of yesteryear with the technological boundlessness of today in this striking ode to plastic filmmaking.

Industrial design and contemporary art have merged in five minutes of filmic excellence.

Max Hattler’s previous, also dazzling animations (eg Collision) have been flatter, screen-born works. This spatially disorienting stop-motion film is a deep-focus, continually shifting kaleidoscope of abstract (but clearly tangible) shapes in the Oskar Fischinger tradition, set across multiple planes reflecting and receding to the sky. It’s hypnotic, bewildering and beautiful.

An animated, analogue picture of the future, involving seriously figurative mysteries and everyday playful abstractions. Deftly shifting shapes, colours and unrecognizable household objects glide across an ever-changing, multi-layered surface, lending Aanaatt a curiously hypnotic warmth and flair. Hattler’s film is a stop-motion, fixed camera animation film commissioned for Japanese music producer Jemapur.

Here’s an abstract stop-motion to contrast with your digital days.

Spiegelungen, Verschiebungen, Projektionen: Max Hattler legt ein genussvolles Verwirrspiel zwischen Abstraktion und Realismus hin, zwischen konstruktivistischem Design und manuell-analoger Raumerzeugung. Ein retro-futuristisches Kunstwerk, geerdet durch die Musik des japanischen Elektronikers Jemapur.

25 Best Stop Motion Short Films and Claymation Videos: A strange world where experience, both familiar and unfamiliar, is cut-up, upside-down and otherwise displaced, as modernist shapes move and construct themselves in almost organic ways. AANAATT, a 2008 music video from artist Max Hattler is a sublime stop-motion animation that hearkens back to 40’s and 50’s abstract films through its geneological exploration of shape and movement with music.

An abstract animation created by Max Hattler. 3D objects build up in the unknown space creating beautiful visuals and textures on screen.

… filmmaker and visual artist Max Hattler released his abstract opus called ‘Aanaatt’ online. The film is an ambient, VFX and narrative-free stop-motion film created in collaboration with Japanese composer Jemapur.

An exciting experiment in the tradition of Oskar Fischinger (Komposition in Blau, 1935), Dwinell Grant (Composition No. 1, 1940) and Slavko Vorkapich (Abstract Experiment in Kodachrome, 1950s). Max Hattler presents a well-done interaction between music and moving images. Space is turned upside down and the animated objects become faceless dancers in a constructivist ballet.

Hattler proposes an unusual stop-motion animation, where objects of abstract shape and unknown function move in a space that bears no relationship to any kind of real experience. The various elements move within this three dimensional space, like parts of a dynamic painting that condenses a whole series of references to contemporary art: from the constructivism of Moholy-Nagy, to the historic abstracts of Mondrian and Klee, and on to the more recent experience of conceptual and kinetic art. Changing shapes, plays of colour and transforming surfaces compose a dynamic universe that is both alienating and fascinating at the same time.

Max, AANAATT is one of your most beautiful animations. I often show it as an outstanding example to my students. Above all, the work is NOT just another demonstration of technique or technology, but rather a classic in the field of Visual Music, and a unique example of creative ingenuity and elegant design.

A strange world where experience, both familiar and unfamiliar, is cut-up, upside-down and otherwise displaced, as modernist shapes move and construct themselves in almost organic ways. AANAATT, a 2008 music video from artist Max Hattler is a sublime stop-motion animation that hearkens back to 40′s and 50′s abstract films through its geneological exploration of shape and movement with music. The music is a track from Japanese artist Jemapur In 2008 W+K Tokyo Lab commissioned 4 music videos for the then 21 year old music producer, and I imagine that this was the strangest. Using a static camera and zero digital effects, Hattler, whose previously celebrated films like Collision are definitely digital, adeptly moves into the arena of object stop-motion. In doing so he creates something as intricate and imaginative as I’ve seen in stop-motion’s modern renaissance.

A masterclass in abstract stop-motion … German animator/director/video artist Max Hattler’s abstract stop-motion work Aanaatt, which is ‘100% digital-effects free’ and was widely lauded when screened at a variety of festivals three years ago, has finally been put online. The full 4m45s HD version, which was previously only available as a one-minute teaser … is well worth a look. It centres on dozens of different mostly non-identifiable objects moving around in an apparently random fashion in an alien looking environment, which all sounds a bit of a mess but in reality is incredibly compelling and truly fascinating to watch.

A seductive world of rapidly moving brightly colored shapes sets a tone of attractive alienation.

Award winning animation film-maker Max Hattler presents a world transformed by brightly coloured geometric shapes that are in a constant state of movement.

an endlessly mobile sequence of animated Bauhaus-style shapes and compositions.

Design, colour, movement, rythm, light and shadows in absolute harmony. Told in two and three dimensions.

very successful at festivals over the last year … weird non-digital cut-out animation.

a fascinating 3D collage affair where you spend most of the time trying to work out what possible angle it was filmed from.

Award-winning abstract stop-motion film commissioned by W+K Tokyo Lab for the Japanese hip-hop/electronica artist Jemapur [creator of this years onedotzero festival trailer audio]. Hattler uses found geometric objects to create an arresting vision of analogue futurism.

Stop motion animation of three-dimensional objects against an evolving background of windows, mirrors, and geometric shapes mutates one corner of a room into a labyrinth of color and movement.

This amazing film is made by one of my favourite animators at this time. Max Hattler really does magic with this film. Suprisingly simple!

Moholy-Nagy and the early constructivism inspire this film. Through mirroring, dislocations and projections, Max Hattler parses the possibilities of manual-analogue creation of space on the surface.

Hattler’s elegantly choreographed object animation tilts the camera so that the mirrored table surface seems to be the ceiling. In smooth stop-motion replacements, he explores the abstract logic of tubes, discs, cylinders and other shapes as they grow, shrink, slide, and change to the ethereal murmur of ambient music.

mesmerising

intricate and eye-catching

a stop-motion masterpiece.

visually arresting … innovative stop-motion film featuring upside-down, random geometry.

Shifting between three-dimensional objects and two-dimensional surfaces, the illusion of space is folded through the use of mirrors and sound.

Mirrored surfaces and tricks of light lend an unsettling quality to this abstract stop motion.

another banger piece … Max’s work is some of the most progressive and visually stimulating works created time and time again.

One of four music videos commissioned by W+K Tokyo Lab for the release of 21-year-old Japanese producer Jemapur’s latest album, ‘Aanaatt’ is as mystifying as its title. The track is of the sparse, bloopy variety one might associate with graphic designers in oppressively-rimmed glasses and Max Hattler’s stop-motion, fixed camera video is accordingly abstract. ‘Aanaatt’ might’ve been overly academic in another director’s hands, but the German helmer gives the song a curiously hypnotic warmth by deftly shifting colors, shapes, unrecognizable household objects, and lighting across an ever-changing, multi-layered surface.

the best use of stop-motion we’ve ever seen! … It’s nice to see people still taking the time to do things the old fashioned way, even if it does take forever.

Max Hattler turns his talents for abstract animation to stop motion and comes up with this intriguing exercise.

a mesmerising and beautiful stop-motion film

Director Max Hattler teams up with Japanese electronica artist Jemapur to create Aanaatt, a stop-motion experiment in analog futurism.

Jemapur are at it again with the crazy stop-motion vid for AANAATT. They can’t release a bad video lately. Especially with masterminds like German director Max Hattler in charge.

A stop-motion animation film from the up and coming German creator Max Hattler. The high-quality animation is fixed-film, shot through a fixed point camera, bringing a fresh new dimension to Jemapur’s musical world.

Stunning stop-motion geometrics.

Beautiful abstract, geometric stop motion film

Im realen Raum verwoben und gleichzeitig abstrakt losgelöst, nicht verortbar: Dieser musikalische Kurzfilm lässt durch seine warmen Farbkonstellationen, den haptischen Konstruktionen und den überraschenden Ideen eine heitere, geborgene und kontinuierlich metamorphotische Komposition entstehen. Kunsthistorische Rückbezüge einbettend überzeugt AANAATT durch eine frische, die Moderne ganz neu sehende, einzigartige Dingwelt.

… wunderbar dahingleitende, Op-art-nahe Experimente über die Illusionsmaschine Film …

… wunderbar dahingleitende, Op-art-nahe Experimente über die Illusionsmaschine Film …

… da vollführen knallbunte Plastikteile ein Bilderballett, schweben scheinbar schwerelos vor Betonpfeilern und Fensterrahmen, ändern Farben, Formen und Position. Ein wunderbar leichter Film zum Bauklötzestaunen.

ein genussvolles Verwirrspiel zwischen Abstraktion und Realismus, zwischen konstruktivistischem Design und manuell-analoger Raumerzeugung. Ein retro-futuristisches Kunstwerk, geerdet durch die Musik des japanischen Elektronikers Jemapur.

Da nossa série Menos dinheiro e mais Talento um Stop Motion bem diferente. Um simples espelho foi capaz de compor essa proposta meio surreal, onde os objetos de forma e função desconhecidas se movem em um espaço que não tem qualquer tipo de relação com a vida real. Baseado em referências históricas de artistas como Mondrian e Paul Klee e trabalhos recentes de arte cinética. De Max Hattler.