| Director | Max Hattler |
| Production | Royal College of Art |
| Additional Animation | Ian Mackinnon |
| Sound Design | Max Hattler |
| Sound Mix | Christopher Wilson |
| 35mm Recording | Andreas Schellenberg, Pictorion das werk |
| Available formats | 35mm, QT HD, Beta SP, DVD |
| Length | 2’30” |
| Year | 2005 |
an ingenious visual spectacle in which the artist constructs and deconstructs, morphs and reproduces abstract patterns of American and Islamic connotations.
Kind of appropriate movie after war hawk Obama’s big week.
Totally Naked (7 May 2011, the week after Osama Bin Laden was officially killed by US Navy SEALs)
Max Hattler in MDR Thüringen Journal: ‘Backup Festival Weimar: Kurz und intensiv’, 13 May 2012
In light of recent news of the world the film remains relevant. And beautiful.
Bradford Shellhammer, Sundance Channel, 12 May 2011
Sia i colori che i suoni contribuiscono nel rendere l’effetto di uno caleidoscopio, e i movimenti di transizione verso forme differenti ricordano i corti di Oskar Fischinger. Il suono può essere quello di una collisione, tuttavia il video si conclude con l’ambiguo effetto sonoro dei giochi di fuoco, la cui interpretazione rimane dubbia, oscillando tra la celebrazione e la distruzione; sempre alla fine, i colori sembrano stridere l’un l’altro per diventare una ruota armonica del colore: ancora l’interpretazione rimane aperta a differenti punti di vista.
Cinema sperimentale, Nov 2013
a pulsating mash-up of stars and stripes and Islamic patterns.
Art Monthly, Nov 2007
“Explores Politics Through Shapes.
Sheerly Avni, Open Culture, 2011
Short Film of the Day: Collision. Why Watch? Sometimes it’s important to forget about actors or a narrative and just go with some incredible visuals that happen to have an underlying socio-political subtext. Say what? Exactly. It’s abstract that’s actually watchable with symbols that don’t pull punches. Your childhood kaleidoscope meets American quilting and Islamic religious icons with explosive consequences. What Will It Cost? Just 2 minutes of your time. Does it get better any better than that? Check out Collision for yourself.
Abaius, Film School Rejects, 2011
Max Hattler puts America and Islam in the blender. Beautiful smoothie.
Fanfarlo, 2011
Max Hattler creates kaleidoscopic animations which are more than mere visual titillations; in Collision he takes Islamic patterns and American quilts and morphs them, with interesting results.
KINO 10, 2011
Limited edition Japanese Collision t-shirt’s a pussy magnet.
絕佳萬花向圖案設計動畫影片,保證精彩!真是充滿想像力!喜歡這支影片
Yufu Lin, Taiwan, 2011
Max Hattler, un artista audiovisual que persigue nuevos horizontes de expresión en movimiento, es el autor de estas fascinante pieza. ‘Collision’ es un interesante clip, de crítica política, en la que los patrones de estética islámica confluyen con la cromaticidad de la bandera americana. Un combinación de elementos geométricos y sonoros que contextualiza una historia narrada desde otra perspectiva.
0 Por Ciento, 2011
… Change comes through action. If we look to visual culture then it is posters and placards which give visual presence to protesting voices in the public domain (even if they can’t change things in themselves). Art, like film, mediates the (violent) world, extracting its fragments and splicing them back together as meta-comment; reflection, for the long run. We can see this quite well in Collision, a short animation by Max Hattler. Here, Islamic patterns and American quilts, the vernacular of two different cultures, kaleidoscope into the geometry of flags to the rhythm of artillery fire, fireworks and the muezzin’s call to prayer. Although the film draws on the everyday, and is downloaded back into it via the personal desktop, it doesn’t become dissipated by ‘use’. …
Monika Parrinder & Colin Davies, Limited Language: rewriting design – responding to a feedback culture (Birkhauser), 2009
To note the five long years that the Iraq campaign has chalked up this month, what better way to mark the occasion than with Max Hattler’s protean, prize-laden and thought-provoking animated artwork. This abstract reflection on the clash of cultures forcibly merges American quilts and Islamic patterns into beautiful, yet unsettling kaleidoscopic scenes. Make sure to launch this in the stand-alone player option and listen with headphones on, to see how Christopher Wilson’s subtly ominous sound mix transforms these whirling, warring images, as a muezzin’s call and the crack of artillery fire fracture Hattler’s primary- coloured mandalas like shrapnel.
guardian.co.uk, 2008
Collision by Max Hattler is a joyful mash-up of Islamic patterns, American quilts, kaleidoscopic op-art that adds up to a fresh, Sesame Street quality.
Adam Lee Davies, Little White Lies
Collision deploys a deft arsenal of shapes on paths, stars-and-kaleidoscope-striping geometry, with textures and forms culled from the ensigns of Americana and Islamism … The sound design is slick and significant, and this crackle-crisp sound imbues extrasensory depth, while punctuating the graphic … true innovation … great work
DINCA.org
Few works so elegantly capture the tensions between America and the Islamic world as Max Hattler’s Collision.
shortoftheweek.com
Collision is no different than a feature film like Babel, only speaks a different filmic language in expressing the same ideas.
Rick’s Flicks Picks
tank.tv interviewed Max Hattler in 2007, after Collision was included on their first DVD, ‘Fresh Moves: New Moving Images from the UK’.
an explosion of nationalist icons
Signal & Noise
an original depiction of aesthetics into politics
bbc.co.uk
an abstract satire based on the geometry of flags
Time Out London, 2006
a disturbing yet potent piece of abstract political filmmaking
RES Magazine, 2005
an abstract take on the War on Terror
Promo News
It’s like watching a fireworks display while on acid.
scifidimensions.com
Max Hattler’s unusual political short. Islam and America battle in a kaleidoscope of colours and patterns.
BoreMe
A cacophonous stoner delight.
LAS Magazine
brief but spectacular
Montreal Mirror
utter genius
ThickOnline
Clever as hell”
The Curious Brain
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound. What you hear is what you see.
A visualisation of Gustav Mahler's Symphony No. 5, created with student animators at School of Creative Media, City University of Hong Kong.
Shapeshifter explores video glitches induced by digital signal processing compression artefacts, which have given rise to a whole genre of YouTube videos dedicated to exposing shapeshifting reptilians hiding behind the surface of the video screen. Shapeshifter was created as the Official Trailer for the 29th Stuttgarter Filmwinter Festival for Expanded Media.
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