We have liftoff! Model Starship is a super-short abstract film directed by moving image artist Max Hattler with sound by Eduardo Noya Schreus.
| Director | Max Hattler |
| Sound | Eduardo Noya Schreus |
| Available formats: | 1080p HD digital file, DVD |
| Length | 0’40” |
| Year | 2012 |
| Thanks to Sarah Noble and Sandra Sykorova. | |
Model Starship: Unclear Proof (2014), is a special 7-minute installation loop version which combines Model Starship (2012) and Unclear Proof (2013).
Ciencia ficcion minimalista: asi se puede llamar el trabajo de Max Hattler, que con material de escritorio y piezas de ferreteria aporta pruebes de la existencia de vida en otros planetas.
I selected Max Hattler’s new piece of abstract animation without the slightest hesitation as his brief but exquisite film Model Starship was strikingly different from other nominated films. According to what I have read on the artist’s website, the idea of a collaboration came about during the interview with a fashion magazine called Journal, which gave him a make-up bag full of autumn/winter 2012 products. Max Hattler came up with such astonishing images only using the luxury cosmetics in the bag from Givenchy, Laura Mercier, NARS, Shu Uemura, Shiseido and YSL. Turning the familiar products into something new and creating a scene that you could see in a sci-fi movie by filming using their shapes and materials, with images reflected from mirrors, was sensational. The artist was able to produce images that are vague and abstract but clear and concise at the same time as he went through the process of observing the products, imaging, and recognizing their patterns. I completely understand why he titled his art film A Very Brief Encounter with Another World. Bringing his imagination into action, he recreated the so-called secular ready-made products into an eye-catching art film. It gave me a refreshing jolt of the same kind as when Fontaine of Marcel Duchamp shocked the contemporary art world. Anyone who was disappointed to see the film end so soon can invest in Max Hattler for its longer version.
DOTMOV 2012, selected and commented by Ki Young Park (Sugarcube)
All Aboard Model Starship: A couple of months ago, we dropped the artist Max Hattler to tell him how much we admired his work. We did a little Q&A with him right here on Journal and then met up for coffee. The idea of a collaboration came about and a make-up bag full of autumn/winter 2012 products were duly thrust into his arms. This short abstract film – Model Starship – (with sound by Eduardo Noya Schreus) is the result. We love it! What do you think?
Journal Magazine (23 Aug 2012)
Everyday objects are transformed into a science fictional landscape.
San Francisco International Film Festival 2013
Model Starship is an all too brief, but no less impressive, new piece of abstract animation from Max Hattler commissioned by fashion magazine Journal.
Directors Notes (23 Aug 2012)
Max Hattler’s latest adventure in animation is cosmetic sci-fi stop motion
Jotta (23 Aug 2012)
We’ve posted several of Max Hattler’s abstract narrative-free stop-motion films on the Animated Review in the past. His latest film, ‘Model Starship’ is a continuation of the visuals and the otherworldly appearance of these earlier shorts. ‘Model Starship’ was commissioned as an art film by new fashion magazine ‘Journal’ and will be followed up with a sequel at an undisclosed date.
Animated Review (Aug 2012)
Model Starship: Unclear Proof … displays a matrix of different ready-mades and uses them to mimic starships that are traversing the galaxy, transforming the purposes and meanings of the ready-mades.
者則是陣列了各類現成物的外觀形體,並模擬成飛往星際的航艦,試圖扭轉其原有用途及意涵
Max Hattler’s stop-motion animation work Model Starship: Unclear Proof opposes mass-produced objects in a genuine miniature star war. Luxury industry products like high-end make-up and artefacts from Prosecco production and consumption are considered here solely for their plastic and formal qualities, thus questioning their social status and value. The battlefield is tainted in a paradoxical way, as it stages the violence of an egocentric, superficial and success-orientated society while taking place on a bright blue sky. It reminds us of the naïve lightness with which a child can appropriate the most expensive objects and transform them into simple pawns of a game.
Isabelle Henrion, curator, The Way Objects Go, Podroom Gallery, 2017
Concrete Abstraction: Road Triptych is a motion painting that takes Hong Kong’s urban topography as its canvas. Road markings explode and contract across three synchronised screens in a portrait of the otherwise overlooked paints and stains that adorn the city’s streets.
We went down, we went down – how far who knows.
Foot loose meets head loose, one frame at a time.
A symmetrical matrix of generative synthetic growth iterations of varying frequencies and intensities.
© 2026 Max Hattler. All rights reserved.
Website by Bento Graphics Inc.